At the cusp of the ’60s and ’70s of the last century,European genre cinemawas having a moment.

The second genre to pull this trick was, unsurprisingly, horror.

All about the Italian horror subgenre you’ve probably heard about.

Filmmakers Jesus Franco and Paul Naschy against a backdrop of the word ‘horror’ and the silhouettes of Big Ben and the Tower of Pisa.

Image by Nimesh Niyomal

Case in point:Frankenstein’s Bloody Terrorhas zero ties toFrankenstein’s story.

Another future crucial feature of Fantaterror is introduced here cathartic, but mostly pessimistic endings.

Fantaterror didn’t condemn itself to endlessly recreating Gothic locations and various supernatural tropes, though.

a red-tinted Jessica Harper against a red background in Dario Argento’s Suspiria

Image via Telecine Film

More and more of theSpanish horror makers turned their gaze towards exploring the complexities of human naturein the ’70s.

This also sets up another important thematic angle the horror of feeling trapped.

Soledad Miranda as Nadine and Ewa Stromberg as Linda in Vampyros Lesbos

Image via Telecine Film