And so without further ado, here are my picks for the Best Scores of 2010.
Hit the jump to see the list.
The results are spectacular and easily Powellas most accomplished work to date.
Indeed, for all ofInceptionasbravura action bits (aMombasaa anyone?
If Zimmer does win the Oscar, heall have a lot of people to thank.
Does that dissuade me from calling it one of the better scores of 2010?
Immediately following my viewing of the film I ran out and purchased the CD on Amazon.
Desplat infuses Hallows with an intense driving force that meshes well with director David Yatesa spectacular images.
Truth be told, Desplat has set some fairly lofty expectations for the big finale.
Regrettably, Universal opted not to release a commercial album.
So the only way to hear the score is to watch the movie.
), so it was no surprise to see him among the credits for their remake ofTrue Grit.
Check this one out if you havenat.
His terrific score forCasino Royaleshould have pushed him over the top a it didnat.
Hopefully, his score forThe Chronicles of Narnia a Voyage of the Dawn Treaderwill accomplish that.
I likedDeathlyHallowsmore, but not by much.
THE KINGaS SPEECHa Alexandre Desplat
Quiet Desplat, but still engaging.
This will get a nomination, but only because the film is so well regarded.
The score as a whole is quite standard, but the main theme is terrific.
So much so that it made me like the film more than I probably should have.
PREDATORSa John Debney
I have to give a shout out to Debney.
Antal Nimrodas film wouldnat have survived without it.
Click herefor our top ten scores/soundtracks of the decade.
