It’s not just the details though.

that arguably should have made the film.

However, his decision unintentionally puts the lives of his loved ones in grave danger.

Marlon Brando as Don Vito Corleone, places his hand on his heart for a somber vow in The Godfather.

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Michael asks her to tell him the forbidden story and soon regrets asking.

When Filomena lived in New York City, she worked as a midwife in an Italian neighborhood.

One night, Brasi was at her doorstep asking her to help a woman currently in labor.

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Don Vito Corleone, head of a mafia family, decides to hand over his empire to his youngest son, Michael. However, his decision unintentionally puts the lives of his loved ones in grave danger.

She realized the young woman was Brasi’s girlfriend who was pregnant with his child.

With her life on the line and shaken with fear, Filomena did as she was instructed.

The two immediately pick up where they left off.

Morgana King as Carmela Corleone standing in front of a microphone singing in The Godfather (1972)

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It also puts a more positive and considerate light on Michael regarding Kay than in the film’s version.

She is quickly ushered back into a room by an unknown woman.

Despite his stoic, calculated demeanor, Neri is known for his fierce temper and physical strength.

A close up of Lenny Montana as Luca Brasi in The Godfather

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Neri beats the man to death with his flashlight and is charged with manslaughter.

When Vito Corleone becomes aware of him through Peter Clemenza, he offers his assistance.

He finds his first target sleeping on a hot, humid afternoon and brutally slashes the man to death.

Diane Keaton walking with Al Pacino in The Godfather (1972)

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John Marley as Jack Woltz looking at a person offscreen in The Godfather

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Simonetta Stefanelli as Apollonia Vitelli, standing outside in The Godfather

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James Caan in The Godfather: Part II (1974)

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Al Neri looking pensive in The Godfather: Part II (1974)

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Robert De Niro standing next to Mario Cotone both looking up at something in The Godfather: Part II (1974)

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