Long takes are a staple of filmic language that, when employed correctly, can both dazzle and enrich.
But its not enough to be technologically astounding.
The long take that combines form and function are truly awe-inspiring.
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So, presented below are a collection of incredible and incredibly long takes that continue to delight.
When the clock finally ends, the bomb goes off.
But his most impressive moment is when Redford is making a phone call.
Image via Warner Bros.
Meanwhile, Redford makes another phone call, while the first caller calls back.
(At one point Redford gets confused as to who he is actually talking to.)
The sequence goes on and on, for more than six minutes (!
Image via Universal
But you would be aware of being on the edge of your seat.
This was likely due to the configuration of the set, but it hasnt stoppedShiningsleuths from investigating its mysteries.
(Just watch the fabulousRoom 237documentary.)
Image via Universal Studios
WithThe Shining, nothing is as it seems, even the most amazing, hypnotic Steadicam shot.
(The doctor just looks worried.)
This is when she has that famous exchange about which parent disciplines the child more.
Image via Warner Bros
Rubenstein then recedes to the back of the room, with the doctor.
(It goes without saying that, by the end of the shot,Jerry Goldsmithsscore isreally cranking.)
More than anything this feels like a true meeting of the minds.
Image via Warner Bros.
But back then, when he was really the man, things were smooth and velvet-lined.
1andPaul Thomas Andersonwould shamelessly replicate for the opening ofBoogie Nights.)
Theres a reason this shot is so admired and often imitated.
Image via MGM/UA Entertainment Co.
The sequence was photographed inside a disused Coca-Cola bottling plant, which production just took over.
The only thing disappointing about the shot is how abruptly it ends.
This was done at a time before stitching, when it all had to be for real.
Image via Warner Bros.
Image via New Line Cinema
Image via Universal