Check out what they had to say after the jump.

Question: Have you already started to shoot thePoint Breakremake that Alcon Entertainment is producing?

BRODERICK JOHNSON: Weve shot some extraordinary footage with our surfers.

keanu-reeves-point-break-image-slice

And we were in the Italian Alps with the greatest extreme snow boarders in the world, shooting footage.

Weve actually been in photography on the film, beginning our stunt work with our real athletes.

We have real athletes who do this, like Jeb Corliss, whos the greatest wing-suiter in the world.

point break edgar ramirez

His team will be doing work for us, over the summer, in Switzerland with motocross.

So in any event, principal photography starts in June.

Does the script follow the original film?

ex-presidents-point-break

JOHNSON: Not at all.

Everything else about the movie is different.

The narrative of the movie is different.

Movie

The movie is being shot in 10 countries across the globe.

Kathryn Bigelows original movie was really ahead of its time for 1991, when it came out.

That was really at the infancy of what extreme sports would become with the X-Games.

Thats the one element that the two movies share.

So, its a bromance?

JOHNSON: Yes, it is.

No former Presidents masks?

A lot of them dont work, as we have been regularly reminded.

That is a central part of our story, even though everything else about it is different.

Youve gotta keep the Nixon mask.

Maybe well put Nixon in there as a little throwback.

Who are the professional surfers youre working with?

JOHNSON: Garrett McNamara has done a bunch of work for us.

I think hes one of the best today.

And Laird Hamilton as out there for us.

Its amazing how young these guys are, and how extraordinarily talented they are.

We got a couple of 70-foot waves.

Its the most incredible footage that weve ever gotten on a film.

The force of the water is unbelievable.

Are you shooting it in 3D?

JOHNSON: It will be in 3D and IMAX.

Were careful about that.

Im mixed on 3D.

I think this movie really does have a value proposition.

ANDREW A. KOSOVE: We wont shoot it in 3D.

When you start shooting in 3D, the camera rigs are very large.