And that action took place in the heart of Formula 1, too.
One of the most ambitious aspects ofF1wasshooting at actual Grand Prix events.
As soon as practice ended, they would pull out onto the track."
Image via Warner Bros. Pictures / Apple Original Films
“We have a sound designer, Al Nelson, also fromTop Gun: Maverick.
He was at the track recording all the real sounds of the cars.
We even got microphones on the real F1 cars, which was a huge challenge.”
Zimmers score aims to complement the films intense audio design with an emotional core.
“What Hans does, few composers can do.
He can write a real theme, a real melody that you just cant get out of your head.
And hes written another one here that I cant wait for people to hear,“Kosinski added.
The movie will premiere globally on June 25 before opening in North America on June 27.
Stay tuned to Collider for more updates onF1hitting the track.