At age 70,Jackie Chanhas ruledmartial arts action moviesfor nearly five decades.
But in the mid-80s, Chan struggled to attract American audiences with his cop thriller vehicleThe Protector.
DirectorJames Glickenhaus 1985 action programmer arrived at a time when Hollywood was still looking for the nextBruce Lee.
Custom Image by Zanda Rice
As Chan channels those Western archetypes in the film,hes far lessanimated than usualand more aggressive and violent.
Additionally, Aiello gives Chan almost nothing to work with on-screen, in contrast toChris TuckerorOwen Wilson.
The Hong Kong multi-hyphenate has a flawless taste in movies.
Image via Kam & Ronsom Enterprise
Unlike the tongue-in-cheek tone of both Chans Hong Kong films and future American hits,The Protectoris explicitly graphic.
The excessive violence and gratuitous nudity madeThe Protectorjust anotherDirty Harryknock-off for the decade.
But the closest moment to Chans cinematic style is thefight sequence in the massage parlor.
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It’s the most comedically animated that Chan gets in the entire picture.
The result madeThe Protectorlook more like a clone of NorrisCode of Silencethan a true Jackie Chan picture.
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