In 1991’sPoint Break, filmmakerKathryn Bigelowproved an action movie can be simultaneously hard-hitting and soft as a California sunset.

Bodhi is fluid; Utah is stiff as the wooden targets he’s pumping bullets into.

But Bodhi’s also a shadow.

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Oh man, weseeUtah.

An out-of-control wave headed for a rocky outcropping too stubborn to move.Point Break.

KEEP READING:‘Escape from New York’: On Snake Plissken, Action’s Most Unique Icon

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Image via 20th Century Fox

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Image via 20th Century Fox

keanu-reeves-point-break

Image via 20th Century Fox

Movie

Point Break