Contrary toXander RobinsThe Python Huntdocumentary,python hunting onSerpent Invasionappears to be a full-time war.

Its cast doesnt theorize or speculate.

Theres sweat, blood, torn skin, and high-speed boat runs.

A scene from Swamp People Serpent Invasion with hunters capturing a snake

Image via History Channel

These are people who live in or near the swamps year-round.

When theysay this is home, its not a metaphor.

In contrast,The Python Hunt, on the other hand, stands at a distance.

Liz Cavalier aka Liz Choate from Swamp People

Image via History Channel

The documentary is rich in theme but thin in actual hunting.

You dont get a sense of systems, only slices of human behavior.

Its a valid angle poetic, unsettling but itssubjects rarely match the competency or commitment of theSwamp Peoples cast.

Cheyenne pickle wheat on Swamp People Serpent Invasion

Image via History Channel

The swamp had a queen, then it didnt.

WhereSwamp Peopleuses sweat equity,The Python Huntrelies on observation and symbolism.

They are respected often revered for their experience.

Toby Benoit from the python hunt

Image via Artists Equity

InThe Python Hunt, the documentary occasionally drifts into tonal confusion.

Youre left intrigued but unsatisfied entertained, butnot immersed as a hardenedSwamp Peopleviewer is used to.

Theres usually a structure in place: territory to reclaim, competitors to outdo, and obstacles to survive.

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Its deliberately nonlinear, but thats not inherently bad because its not meant to be linear.

It wasmeant to raise fascinating questions about who gets to save the Evergladesand why, and it does that.