When watching a new war film byAlex Garland, prepare to be white-knuckling your seat rests.
Like all memories, this claim is not entirely accurate.
Memories, years removed from the point of recollection, become distorted.
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One key element ofWarfarealmost didn’t manifestdue to the directors' steadfastinvestigative approach.
Claiming their territory, they break down the wall with a sledgehammer and terrify the residing Iraqi family.
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