One scene in particular is whenSydney Greenstreet’s character is telling Spade about the history of the Falcon.

A police detective falls in love with the woman whose murder he is investigating.

Jeff tracks her to Mexico, where they fall in love and plot to escape Whit’s grasp.

Gene Tierney sitting down looking at someone skeptically in Laura (1944).

Image via 20th Century Fox

Crook Johnny Clay assembles a five-man team to plan and execute a daring racetrack robbery.

The other is the final scene when Walker and Granger’s characters are wrestling on the out-of-control merry-go-round.

John Huston’sThe Asphalt Junglecaptures a realistic atmosphere which is heightened byHarold Rosson’s simple but vivid cinematography.

Humphrey Bogart, Peter Lorre, Mary Astor, and Sydney Greenstreet look at a metal bird in The Maltese Falcon

Image via Warner Bros.

NEXT:Best Cinematography Oscar Winners of the 21st Century, Ranked

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San Francisco private detective Sam Spade takes on a case that involves him with three eccentric criminals, a gorgeous liar and their quest for a priceless statuette, with the stakes rising after his partner is murdered.

Cast Placeholder Image

Dana Andrews looking at a portrait of Gene Tierney in ‘Laura’.

Image via 20th Century Fox

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Norma Desmond (Gloria Swanson) glides past Paprazzi, looking intensely at the camera in Sunset Boulevard

Image via Paramount Pictures

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Robert Mitchum and Jane Greer in Out of the Past looking at each other at a bar.

Image via RKO Radio Pictures

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Jeff Bailey, a seemingly ordinary gas station owner, is drawn back into a web of intrigue and danger when his former employer, Whit Sterling, sends an associate to find him. Revealing his true identity as ex-private detective Jeff Markham, he recalls his assignment to locate Whit’s elusive mistress, Kathie Moffat, who vanished with a fortune. Jeff tracks her to Mexico, where they fall in love and plot to escape Whit’s grasp.

Barbara Stanwyck standing behind a door as Fred MacMurray stands in the doorway in Double Indemnity.

Image via Paramount Pictures

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A Los Angeles insurance representative lets an alluring housewife seduce him into a scheme of insurance fraud and murder that arouses the suspicion of his colleague, an insurance investigator.

Harry Lime looking up with a scared expression in The Third Man.

Image via British Lion Film Corporation

The Third Man Movie Poster

Bette Davis lying on a couch looking forlorn with Herbert Marshall holding a drink nearby in The Letter.

Image via Warner Bros.

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A person in a clown mask wears a hat and holds a shotgun in The Killing.

Image via United Artists

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Crook Johnny Clay assembles a five-man team to plan and execute a daring racetrack robbery.

Guy Haines and Bruno Anthony talking in Strangers on a Train.

Image by Warner Bros.

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A psychopathic man tries to forcibly persuade a tennis star to agree to his theory that two strangers can get away with murder by submitting to his plan to kill the other’s most-hated person.

Sterling Hayden looking at Sam Jaffe and Louis Calhern in The Asphalt Jungle (1950).

Image via Loew’s Inc.

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The Asphalt Jungle (1950): Following his release from prison, master thief Doc Riedenschneider plans an intricate jewel heist with the backing of corrupt lawyer Alonzo Emmerich. Assembling a team of seasoned criminals, their meticulously crafted scheme unfolds in the gritty underworld of the American Midwest, testing their loyalty and resilience.

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Laura