The Academy Awards don’t necessarily always reward what most people believe to be the most worthy candidate.

As such, throughout the decades, there have been manyOscarwins that have been controversial to some degree.

Sometimes, they might even be great.

Blended image showing characters from Dallas Buyers Club, The Father, and Life of Pi

Custom Image by Federico Napoli

At the 23rd Academy Awards, she beatGloria SwansonforSunset BoulevardandBette DavisforAll About Eve.

Should she have won over her two stronger competitors?

But Holliday’s performance is neverthelessgood enough to call it a well-earned victory.

Sally Hawkins as Elisa and Doug Jones as The Amphibian Man in The Shape of Water

Image via Fox Searchlight Pictures

It’s a remarkably dark dramabut also one of the most touchingof the era.

While that may certainly be the superior movie,Ordinary Peoplewas still very much not an undeserving winner.

It’s a layered, complex piece of acting that anchors the movie as a whole.

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However, many would be surprised to learn that it didn’t dominate the ceremony that year.

Instead, the honor would go to eight-Oscar-winningCabaret, the iconic musical directed byBob Fosse.

Perhaps the biggest surprise of the night was when Fosse received the Best Directing Oscar instead of Coppola.

Beth and Calvin Jarett talking in Ordinary People

Image via Paramount Pictures

Fosse’s direction is intimate and subtle but also delectably stylish.

Is it better directing than Coppola’s inThe Godfather?

That’s up for debate.

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Five lost nominations, to be exact, starting back in 1996 forSense and Sensibility.

So, the solution?

Winslet gives an incredibly bold and tantalizing performance that only she could have delivered so well.

Matthew McConaughey as Ron Woodrof crying inside a car in Dallas Buyers Club

Image via Focus Features

Winslet’s performance inThe Readeris controversial for two main reasons.

One, just how clear it is that it’s a role manufactured to get Winslet a statuette.

Two, because the movie is such a tone-deaf examination of themes like pedophilia and Nazi regret.

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It’s an incredibly bold and tantalizing performance that only she could have delivered so well.

Frankly, though, the win is great for several reasons, particularly two.

In that sense,Claudio Miranda’s work onLife of Piis jaw-dropping.

Sally and the MC in full costume and makeup, in front of a blue curtain in Cabaret

Image via Allied Artists

Still, its win is really not nearly as undeserved as many make it seem.

The two movies are vastly different in their scope and what they’re trying to achieve.

Few would argue against the statement thatHopkins’s performance inThe Fatherwas the best of 2020.

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His work inThe Fatheris beyond amazing, even ifhis Oscar win will probably remain controversial for many yearsto come.

NEXT:The Best Oscar Speeches of the 21st Century, Ranked

Kate Winslet as Hannah Schmitz looking ahead in The Reader

Image via The Weinstein Company

Pi on a boat with Richard Parker in Life of Pi’ (2012)

Image via 20th Century Studios

Life of Pi Movie Poster

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Roddy McDowell and Walter Pidgeon in ‘How Green Was My Valley’

Image via 20th Century Studios

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Dustin Hoffman as Ted, Justin Henry as Billy, and Meryl Streep as Joanna in Kramer vs. Kramer all leaning on each other

Image via Columbia Pictures

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Anthony Hopkins as Anthony and Olivia Colman as Anne in The Father looking at each other.

Image via UGC

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Anthony Hopkins

How Green Was My Valley